Catalogue 1: Painting Details

The paintings in Catalogue 1 are works with gold leaf and natural mineral pigments. These pigments are hand ground from rocks and crystals. This includes lapis lazuli and azurite (blue pigments), malachite (green) and cinnabar (red). These pigments were common during the Renaissance. During the19th century the developing chemical industry started to produce synthetic pigments and oil paint in tubes. For further information go to “The Renaissance Palette” https://michaelprice.info/mineral-pigments/

Chroma-Scapes

Chroma-Scapes (2024)

These works perform as a conceptual transfiguration of a landscape into a chromatic composition based upon the pigment particle size of the prepared rocks and crystals. The layers of colour of the natural mineral pigments create a chromatic depth to unify the compositional elements which perform like a landscape memory, or dream. Pure gold leaf and white gold as final layers, or under-layers for other colours are integral in creating a luminous chromatic experience.

Chroma-Scape No. 1, Provençal Tree Family, mineral pigments, gold leaf, white gold leaf, lapis lazuli, malachite, thulite, Roussillon brown ochre, stibnite — Chroma-Scape No. 1, Provençal Tree Family. 102.9 x 80 cm - 40.51 x 30.5 ins. Natural mineral pigments with pure and white gold leaf. Reserved.

Chroma-Scape No.2, Provençal Patterns, Natural mineral pigments and gold leaf, rocks, crystals, cinnabar, Malachite, fuchsite, green jasper, Renaissance technique, casein, resin, oil paint — Chroma-Scape No.2, Provençal Patterns. 80 x 102.9 cm - 30.5 x 40.51 ins. Natural mineral pigments and gold leaf. SOLD.

Chroma-Scape No. 3, Mont Saint Victoire, gold leaf, white gold leaf, azurite, malachite, green jasper, caladonite green, cinnabar and stibnite — Chroma-Scape No. 3, Mont St. Victoire. 80 x 102.9 cm - 31.5 x 40.51 ins.

Chroma-Scape No. 4, Provençal Lavender. Natural mineral pigments from rocks and crystals in fir-balsam resin and oil on linen on panel. — Chroma-Scape No. 4, Provençal Lavender. 102.9 x 80 cm - 41.51 x 31.5 ins. SOLD.

Chroma-Scape No. 5, Golden Provençal Tree, gold leaf, natural mineral pigments in resin and oil on linen on panel — Chroma-Scape No. 5, Golden Provençal Tree, 105.2 x 80 cm - 41.4 x 31.5 ins.

Chroma-Scape No. 6, Dancing Olive Trees, gold leaf, white gold, natural mineral pigments. dancing olive trees. — Chroma-Scape No. 6, Dancing Olive Trees. 80 x 102.9 cm - 31.5 x 40.51.ins. Reserved.

Resurrection Adventures

Dante's Divine Comedy, Michael-Price, figurative-artist, nude, New-York-artist, natural-mineral-pigments, natural-color, colour, lapis-lazuli, azurite, malachite, cinnabar, realgar, natural dyes, archetypal-nude, archetype, Renaissance, palette, Renaissance-painting-technique, Greek-dynamic-symmetry, Euclid, geometry. — Resurrection Adventures No.5, Dante's Divine Comedy. Total size 162.8 x 329.5 cm / 65 x 129.7 ins.(Unframed dimensions). Uploaded Feb. 2020.

Michael-Price, figurative-artist, nude, New-York-artist, natural-mineral-pigments, natural-color, colour, lapis-lazuli, azurite, malachite, cinnabar, realgar, natural dyes, archetypal-nude, archetype, Renaissance, palette, Renaissance-painting-technique, Greek-dynamic-symmetry, Euclid, geometry. — Resurrection Adventures No.7, Annunciation Celebrating the Mystery of Life. 128 x 162.8 cm - 50.4 x 64.1 ins.

Michael Price paints figurative paintings with natural mineral pigments and gold leaf. "The Last Judgment, Echo and Narcissus". — "Resurrection Adventures No. 6, Echo and Narcissus". 243 x 406.9 x 20 cm deep.

Resurrection Adventures No. 9, Rape of the Innocent Medusa. — Resurrection Adventures No. 9, Rape of the Innocent Medusa. 150 x 123 cm - 59 x 48.5 ins.

Resurrection Adventures No. 10, A Personal Pieta, mineral pigments, lapis lazuli, temera, oil paint — Resurrection Adventures No. 10, A Personal Pieta. 130 x 120 cm - 51.2 x 47.2 ins.

Resurrection Adventures No.8, Pandora's Plight at Prometheus Bound. — Resurrection Adventures No.8, Pandora's Plight at Prometheus Bound. 138.8 x 130 cm.

Resurrection Adventures No. 1, The Mystic Marriage of Nefertiti to the Demi-God. 2017. Dimensions: 162.8 x 128 cm / 64.1 x 50.4 ins. Nefertiti, ancient Egypt, Akhenaten, monotheism, religious revolution, anachronistic enigma, mystic marriage, conjugal communion, Christian mythology, Michael Price, figurative artist, New York artist, natural mineral pigments, natural color, colour, lapis lazuli, azurite, malachite, cinnabar, realgar, natural dyes, archetypal nude, archetype, Renaissance, palette, Renaissance painting technique, Greek dynamic symmetry, Euclid, geometry — Resurrection Adventures No. 1, The Mystic Marriage of Nefertiti to the Demi-God. 2017. Dimensions: 162.8 x 128 cm / 64.1 x 50.4 ins.

Resurrection Adventures No.2, Jacob’s Dream, Old Testament myth, Jacob's ladder, Jacob, sleeping Greek god, wrestling, guilty conscience, angels, conscious, subconscious mind, Michael Price, figurative artist, New York artist, natural mineral pigments, natural color, colour, lapis lazuli, azurite, malachite, cinnabar, realgar, natural dyes, archetypal nude, archetype, Renaissance, palette, Renaissance painting technique, Greek dynamic symmetry, Euclid, geometry — Resurrection Adventures No. 2, Jacob’s Dream. 2017. 162.8 x 128 cm / 64.1 x 50.4 ins.

Resurrection Adventures No. 3, King Midas Regrets the Golden Touch, Greek Myth, King Midas, wish, gold, regret, daughter, statue of gold, contemporary malaise, unbridled greed, Michael Price, figurative artist, New York artist, natural mineral pigments, natural color, colour, lapis lazuli, azurite, malachite, cinnabar, realgar, natural dyes, archetypal nude, archetype, Renaissance, palette, Renaissance painting technique, Greek dynamic symmetry, Euclid, geometry. — Resurrection Adventures No. 3, King Midas Regrets the Golden Touch. 2018. 162.8 x 128 cm / 64.1 x 50.4 ins.

Resurrection Adventures No 4, Black Elk's Tears for the Genocide of the Native American. Imaginary portrait, Black Elk, John Neihart's book, "Black Elk Speaks, Being the Life Story of a Holy Man of the Oglala Sioux", Black Elk’s vision, genocide, tribe, archetypal, apocalyptic vision, four horsemen, Michael Price, figurative artist, New York artist, natural mineral pigments, natural color, colour, lapis lazuli, azurite, malachite, cinnabar, realgar, natural dyes, archetypal nude, archetype, Renaissance, palette, Renaissance painting technique, Greek dynamic symmetry, Euclid, geometry. — Resurrection Adventures No. 4, Black Elk's Tears for the Genocide of the Native American. 2019. 162.8 x 128 / 64.1 x 50.4 ins.

Alchemical Metamorphoses

Alchemical Metamorphosis No. 5, Saint Ines Battles the Dragon of Climate Change, gold leaf, mineral pigments, linen, lapis lazuli, azurite, cinnabar, resin oil paint. — Alchemical Metamorphosis No. 5, Saint Ines Battles the Dragon of Climate Change. 100 x 223 cm - 39.4 x 87.8 ins.

Detail of Alchemical Metamorphosis No. 5, Saint Ines Battles the Dragon of Climate Change.

Alchemical Metamorphosis No. 1, To Move the Stars, Heaven and Earth. Mineral pigments on linen on panel, azurite, gold leaf, lapis lazuli. — Alchemical Metamorphosis No. 1, To Move the Stars, Heaven and Earth. Mineral pigments on linen on panel. 60 x 85 cm - 23.6 x 33.5 ins.

Alchemical Metamorphosis No. 3, Splendor Solice Illuminates Flora — Alchemical Metamorphosis No. 3, Splendor Solice Illuminates Flora. 60 x 54 cm - 23.6 x 21.3 ins.

Alchemical Metamorphosis No. 2, Confrontation of Archetypes, the Warrior and Magician with Lucretius, Luna and Venus. — Alchemical Metamorphosis No. 2, Confrontation of Archetypes, the Warrior and Magician with Lucretius, Luna and Venus. 60 x 85 cm - 23.6 x 33.5 ins.

Alchemical Metamorphosis No. 6, Competition for Power - The King, the Magician and the Concubine, gold leaf, mineral pigments, lapis lazuli, cinnabar, malachite — Alchemical Metamorphosis No. 6, Competition for Power - The King, the Magician and the Concubine. 71 x 50 cm - 28 x 19.7 ins.

Coniunctio-7, Danae's Cold Shower. Gold leaf, natural mineral pigments in resin and oil on linen. — Coniunctio-7, Danae's Cold Shower. 40 x 56 cm - 15.75 x 22 ins.

Daphne Transformed to a Tree. Mineral Pigments on linen canvas. lapis lazuli, malachite, cinnabar, gold leaf. — Daphne Transformed to a Tree. Mineral Pigments on linen canvas. 40 x 56 cm - 15.75 x 22 ins.

An Angel Serenades The Green Lion. Mineral pigments on linen canvas, malachite, green cavansite, thulite, cinnabar, lapis lazuli, lead-tin yellow, yellow ochre. — An Angel Serenades The Green Lion. Mineral pigments on linen canvas. 40 x 56 cm - 15.75 x 22 ins.

Am Anfang war das Nichts. (In the beginning there was Nothing)

This work in progress (2024) – Am Anfang war das Nichts – (In the Beginning there was Nothing) will consist of twelve paintings in collaboration with Simone Leona Hueber, actress and author of the text in German.

When Nothing Became Something, mineral pigments, magnetite, lapis lazuli, cinnabar, azurite, malachite, casein, resin, oil paint, abstract, universe — 1. When Nothing Became Something. 61 x 76.2 cm - 24 x 30 ins.

Water Fell from the Heavens, mineral pigments, rocks, crystals, azurite, lead-tin yellow, ochres, oil paint — 2. Water Fell from the Heavens. 61 x 76.2 cm - 24 x 30 ins.

Life's Origins with Watery Wings, fish, snail, octapus, Mineral pigments, rocks, crystals, lapis lazuli, cinnabar, fuchsite, casein, resin, oil paint — Life's Origins with Watery Wings. 61 x 76.2 cm - 24 x 30 ins.

Am Anfang war das Nichts. No. 4, Waiting Forever, gold leaf, white gold, mineral pigments, Lapis lazuli, malachite, stibnite, cinnabar — Am Anfang war das Nichts. No. 4, Waiting Forever. 61 x 76.2 cm - 24 x 30 ins.

Wisdom and the Vulnerability of Vanity. Gold leaf, white gold, natural mineral pigments, lapis lazuli, malachite, cinnabar — 6. Wisdom and the Vulnerability of Vanity. 61 x 76.2 cm - 24 x 30 ins

Chromatic n-Dimensions

Michael-Price, figurative-artist, nude, New-York-artist, natural-mineral-pigments, natural-color, colour, lapis-lazuli, azurite, malachite, cinnabar, realgar, natural dyes, archetypal-nude, archetype, Renaissance, palette, Renaissance-painting-technique, Greek-dynamic-symmetry, Euclid, geometry. — Chromatic n-Dimensions No.5, In Transition. 71 x 77 cm / 28 x 30.3 ins. 2019.

Michael-Price, figurative-artist, Tesseract, nude, New-York-artist, natural-mineral-pigments, natural-color, colour, lapis-lazuli, azurite, malachite, cinnabar, realgar, natural dyes, archetypal-nude, archetype, Renaissance, palette, Renaissance-painting-technique, Greek-dynamic-symmetry, Euclid, geometry. — Chromatic n-Dimensions No. 4, Contemplating a Tesseract. 2019. 60 x 65 cm - 23.6 x 26.6 ins.

Chromatic n-Dimensions No. 3, Parallel Worlds. — Chromatic n-Dimensions No. 3, Parallel Worlds. 71 x 73.6 cm / 28 x 29 ins.

Evolution of a Myth, Nos. 1-10

Evolution of a Myth No.1, Birth of Adam, Mineral pigments, gold leaf, rocks, crystals, azurite, cinnabar — No.1, Birth of Adam. 2014. 140 x 109 cm - 55.1 x 42.9 ins.

Evolution of a Myth No. 2, The Circus, Michael-Price, figurative-artist, New-York-artist, natural-mineral-pigments, natural-color, colour, lapis-lazuli, azurite, malachite, cinnabar, realgar, natural dyes, archetypal-nude, archetype, Renaissance, palette, Renaissance-painting-technique, Greek-dynamic-symmetry, Euclid, geometry. — No. 2, The Circus. 2014. 120 x 152.6 cm / 47. 2 x 60.1 ins.

Evolution of a Myth No.3, Eve's Triumph, mineral pigments, malachite, azurite, gold leaf — No.3, Eve’s Triumph. 114 x 131.4 cm / 44.9 x 51.8 ins.

Evolution Myth No. 4, The Last Prayer of St Sebastian, mineral pigments, rocks, crystals, gold leaf, lapis lazuli — No. 4, The Last Prayer of Saint Sebastian. 160 x 120 cm / 63 x 47.2 ins.

Michael-Price, figurative-artist, New-York-artist, natural-mineral-pigments, natural-color, colour, lapis-lazuli, azurite, malachite, cinnabar, realgar, natural dyes, archetypal-nude, archetype, Renaissance, palette, Renaissance-painting-technique, Greek-dynamic-symmetry, Euclid, geometry, Evolution, Myth, La Follia, Annunciation. — No. 5, La Follia Annunciation. 162 x 140 cm / 63.8 x 55.1 ins.

Evolution of a Myth, Michael-Price, figurative-artist, New-York-artist, natural-mineral-pigments, natural-color, colour, lapis-lazuli, azurite, malachite, cinnabar, realgar, natural dyes, archetypal-nude, archetype, Renaissance, palette, Renaissance-painting-technique, Greek-dynamic-symmetry, Euclid, geometry.6. Venus Serenades Jonah’s Dream, — No. 6. Venus Serenades Jonah’s Dream. 120 x 150.2 cm / 47.2 x 59.1 ins. 2015. Sold.

Salome's Madness, gold leaf, natural mineral pigments, casein, oil, canvas, lapis lazuli, azurite — No. 7, Salome's Madness. 167.5 x 122 cm / 66 x 48 ins.

No.8, Orpheus, Eurydice and Christus in the Underworld, mineral pigments, rocks, crystals, gold leaf, cochineal, stibnite, lapis lazuli, — No.8, Orpheus, Eurydice and Christus in the Underworld. 150 x 117 cm / 59 x 46.1 ins.

Evolution of a Myth No. 9, Carousel: Time to Change the Gods, mineral pigments, devil, Christ, Salome, Saint Michael, mineral pigments — No. 9, Carousel: Time to Change the Gods. 138.8 x 152.5 cm / 55 x 60 ins.

Evolution of a Myth No. 10, Apocalypse: God on Her Bicycle, mineral pigments, Dada, — No. 10, Apocalypse: God on Her Bicycle. 157 x 122 cm / 61.8 x 48 ins.

Chromatic Compositions

Chromatic Composition No.1, Eve's Orange Tree. — Chromatic Composition No.1, Eve's Orange Tree. 65 x 60 cm / 25.6 x 23.6 ins. Sold.

Chromatic Composition No.2, Rhythm and Blocks. — Chromatic Composition No.2, Rhythm and Blocks. 50 x 71 cm / 19.7 x 28 ins. Sold

Chromatic Composition No. 3, Bed of Asteroids — Chromatic Composition No. 3, Bed of Asteroids. 49 x 60 cm / 19.3 x 23.6 ins.

Chromatic Composition No.4, Bridge-it — Chromatic Composition No.4, Bridge-it. 60 x 65 cm/ 23.6 x 25.6 ins.

Chromatic Composition No. 5, Fruit tree. — Chromatic Composition No. 5, Fruit tree. 65 x 60 cm / 25.6 x 23.6 ins.

Angels 9-11, No. 1: The Fallen One with One Wing. — Angels 9-11, No. 1: The Fallen One with One Wing. 61 x 100 cm / 24 x 39.4 ins. 2003/2019.

Angels 9-11, No. 2:The Speechless One with Crumpled Wings — Angels 9-11, No. 2:The Speechless One with Crumpled Wings. 61 x 100 cm / 24 x 39.4 ins. 2003/2019.

Angels 9-11, No. 3: The Vulnerable One with Bent Wings, natural mineral pigments, azurite, cinnabar and natural earths — Angels 9-11, No. 3: The Vulnerable One with Bent Wings. 61 x 100 cm / 24 x 39.4 ins. 2003/2019. SOLD.

Angels 9-11, No. 4: The Disbelieving One with Broken Wings. — Angels 9-11, No. 4: The Disbelieving One with Broken Wings. 61 x 100 cm / 24 ins. x 39.4 ins.

Chromatic Composition No.7 Thought Blossom — Chromatic Composition No.7 Thought Blossom 89 x 48 cm / 35 x 18,9 ins. Sold.

Chromatic Composition No. 8 Preponderance of the Small — Chromatic Composition No. 8, Preponderance of the Small. 89 x 48-cm / 35 x 189 ins.

Chromatic Composition No. 9 Preponderance of the Great — Chromatic Composition No. 9 Preponderance of the Great 89 x 48 cm / 35 x 18,9 ins.

Lydia at Oppede le Vieux. — Lydia at Oppede le Vieux. 209 x 93.5 cm - 82.3 x 37 ins.

Family Tree. Natural mineral pigments in tempera and oil on canvas on panel. — Family Tree. 153 x 42 cm / 60.2 x 16.5 ins

Chromatic Composition No.12, Life on the Edge. — Chromatic Composition No.12, Life on the Edge. 165 x 154cm / 65 x 60.6 ins.

Chromatic Composition No. 14 Just Venus Again — Chromatic Composition No.14, Just Venus Again 60 x 65 cm / 23.6 x 25.6 ins. Sold.

Chromatic Composition No. 15, Beyond All perspective — Chromatic Composition No. 15, Beyond All perspective. 60 x 79.5 cm / 23.6 x 31.3 ins. Sold.

Chromatic Composition No.16, The Thinker. — Chromatic Composition No.16, The Thinker. 80 x 85 cm / 31.5 x 33.5 ins.

Chromatic Composition No. 20, Sleeping Venus. Natural mineral pigments, rocks, crystals, lapis lazuli, resin and oil paint. — Chromatic Composition No. 20, Sleeping Venus. 60 x 85 cm - 23.6 x 33.5 ins.

Chromatic Composition No. 11, Seventh Heaven — Chromatic Composition No. 11, Seventh Heaven 154 x 165 cm / 60.6 x 65 ins.

Chromatic Composition No. 18, The Kiss. — Chromatic Composition No. 18, The Kiss. 120 x 152.5 cm 47.2 x 60.1 ins. Sold.

Chromatic Composition No. 19, Memories of the Future. natural mineral pigments include azurite, malachite and cinnabar. — Chromatic Composition No. 19, Memories of the Future. 150 x 114.2 cm - 59.1 x 45 ins. 2019.

Cherry Blossom 1, Persephony returns each Spring. Natural mineral pigments, rocks, crystals, azurite, gold leaf. — Cherry Blossom 1, Persephony returns each Spring. 71 x 93 cm - 28 x 36.6 ins. SOLD.

Cherry Blossom 2, The Rite of Spring, Michael Price, New York artist, natural mineral pigments — Cherry Blossom 2, The Rite of Spring. 71 x 123 cm - 28 x 48.4 ins.

Cherry Blossom No. 3, The Love of Venus. Gold leaf and mineral pigments on linen on panel — Cherry Blossom No. 3, The Love of Venus. 71 x 100.4 cm - 28 x 39.5 ins.

Chromatic Sequences

Chromatic Sequence 1, The Veil — 1, The Veil. 60 x 108 cm / 23.6 x 42.5 ins. Sold.

Michael Price, New-York-figurative-artist, Chromatic-Sequence-3-Whos-Whose-Clone.-Four-panels-total-size-70-x-216.8-cm-27.6-x-85.4-ins. — Chromatic-Sequence-3-Whos-Whose-Clone.-Four-panels-total-size-70-x-216.8-cm-27.6-x-85.4-ins.

Chromatic Sequence 4, Niagara — 4, Niagara. 100 x 177.2 cm / 39 .4 x 69.8 ins.

Chromatic Sequence No. 10, Delightful Discoveries — 10, Delightful Discoveries. 65 x 86 cm / 24.5 x 33.9 ins. Sold.

Chromatic Sequence 9, Unchartered Territory. — 9, Unchartered Territory. 60 x 83 cm / 23.6 x 32.7 ins. Sold.

Chromatic Sequence No. 11, The Mystery before Time — 11, The Mystery before Time. 60 x 85 cm. Private Collection.

Chromatic Sequence No. 12, The Three Graces. Natural mineral pigments icluding lapis lazuli and azurite. — Chromatic Sequence No. 12, The Three Graces. 60.5 x 113 cm / 23.8 x 44.5 ins.

Chromatic Sequence No. 13, The Back of Beyond — 13, The Back of Beyond. 60 x 96 cm / 23.6 x 37.8 ins.

Chromatic Sequence 14, Eternal Garden — 14, Eternal Garden. 65 x 100.5 cm / 25.6 x 39.7 ins.

Chromatic Sequence No. 15, Prelude and Fugue in Green Minor — 15, Prelude and Fugue in Green Minor. 60 x 79.5 cm / 23.6 x 31.3 ins.

Chromatic Sequence No. 16, Pleroma, the fullness of nothing and everything — 16, Pleroma, the fullness of nothing and everything. 55 x 72.5 cm / 21.7 x 28.5 ins. Sold.

Chromatic Sequence No. 17, Intimations of Immortality — 17, Intimations of Immortality. 120 x 159 cm / 42.2 x 62.6 ins. Sold.

Chromatic Sequence 18, Time Immemorial by Michael Price, figurative artist, natural mineral pigments, natural color such as lapis lazuli, azurite, malachite, cinnabar, realgar, natural dyes. — 18, Time Immemorial. 165 x 219 cm / 65 x 86.2 ins. SOLD.

Chromatic Sequence No. 19, The day might forget to care. — 19, The day might forget to care. 42.5 x 72.5 cm / 16.7 x 28.5 ins. Sold.

Chromatic Sequence No. 20, Kundry's Bed of Roses. — 20, Kundry's Bed of Roses. 60 x 80 cm / 23.6 x 31.5 ins. Private collection.

Chromatic Sequence 21, Stepping into the Eternal.Michael Price, New-York-figurative-artist, natural mineral pigments — 21, Stepping into the Eternal. 120 x 159 cm / 42.2 x 62.6 ins.

Michael Price, New-York-figurative-artist, Chromatic Sequence 22, Poet and Painter — 22, Poet and Painter. 65 x 86 cm / 25.6 x 33.9 ins.

Michael Price, New-York-figurative-artist, Chromatic Sequence No. 23, Parsifal and the Rose of Hell. — Chromatic Sequence No. 23, Parsifal and the Rose of Hell. Diptych: 129 x 171 cm / 50.8 x 67.3 ins. 2019. Sold.

The geometry of life is the double helix of our DNA. — Chromatic Sequence 24, The Geometry of Life. Four panels, total size 62 x 137.5 cm - 24.4 x 54.1 ins.

Fragmented Memories. natural mineral pigments, rocks and crystals, lapis lazuli, oil paint, linen. — Fragmented Memories. Diptych: 125.2 x 194 cm / 49.3 x 76.4 ins.

Chromatic Sequence No. 5, The Muse's Amusement at Adam and Eve Lost in Paradise. — Chromatic Sequence No. 5, The Muse's Amusement at Adam and Eve Lost in Paradise. Triptych 110 x 195.8 cm - 43.3 x 77 ins.

The Ground of Being, gold leaf, mineral pigments, rocks and crystals, Paul Tillich — The Ground of Being. 164 x 268.5 cm / 66.6 x 105.7 ins.

Chromatic Sequence, Free from the Labyrinth, Diptych, natural mineral pigments, azurite, malachite, gold leaf — Chromatic Sequence, Free from the Labyrinth. Diptych, 154.8 x 262 cm - 61 x 103 ins.

Homage to Dürer

Melancholia I, Magnum Opus. — Melancholia I, Magnum Opus. 140 x 109 cm / 55.1 x 42.9 ins. Sold.

Homage to Dürer, Melancholia II, Lapis Philosophorum. — Melancholia II, Lapis Philosophorum. 140 x 109 cm / 55.1 x 42.9 ins. Sold.

Homage to Dürer, Melancholia III, Divine Inspiration — Melancholia III, Divine Inspiration. 72 x 56 cm / 28.3 x 22.1 ins.

Colericum I, "cogito ergo sum". — Colericum I, "cogito ergo sum". 70 x 74.6 cm / 27.6 x 29.4 ins. Sold.

Colericum No. 2, Opus Alchemicum. — Colericum No. 2, Opus Alchemicum. 70 x 86.3 cm 27.6 x 34 ins. Sold.

Melencolia I, Angel of Eternal Transience. — Melencolia I, Angel of Eternal Transience. 60 x 52 cm / 23.6 x 20.5 ins. Sold.

Homage to Dürer, Melencolia II, Grounded Angel, gold leaf, natural mineral pigments, lapis lazuli — Homage to Dürer, Melencolia II, Grounded Angel. 60 x 86.6cm / 23.6 x 34.1 ins. SOLD.

Phlegamtic I, Lumen Dei — Phlegamtic I, Lumen Dei. 60 x 76.5 cm / 23.6 x 30.1 ins.

Phlegmatic II, Lumen Naturae — Phlegmatic II, Lumen Naturae. 60 x 85.5 cm / 23.6 x 33.7 ins.

Otherworldliness — Otherworldliness, 60 x 89 cm / 23.6 x 35.03 ins.

Sanguine I, Prima Materia (the god particle), Michael Price, Figurative artist, natural and mineral pigments — Sanguine I, Prima Materia (the god particle). Diptych, 60 x 82 cm - 23.6 x 32.3 ins. 2013. Sold.

A Part of Eternity

A selection of paintings and chromatic reliefs from 47 works created over 30 years.

A Part of Eternity No. 1, Angel and Slave, Michael Price, New York figurative artist — A Part of Eternity No. 1, Angel and Slave. 160.1 x 137.2 x 18 cm deep - 63 x 57 x 7 ins. deep.

A Part of Eternity No. 43,Twenty-Five Centuries of War — A Part of Eternity No. 43,Twenty-Five Centuries of War. 154 x 166 x 19cm / 60.5 x 65 x 7.5 ins.

A Part of Eternity No.46, More Yang than Yin — A Part of Eternity No.46, More Yang than Yin. 80 x 92 cm / 31.5 x 36.2 ins.

A Part of Eternity No.18, Dreamer and Visionary — A Part of Eternity No.18, Dreamer and Visionary. .5 x 18 cm / 82,7 x 72 x 7 ins.

A Part of Eternity No. 38, The Lapis and the Opus-Relief painting, Michael Price-figurative-artist — A Part of Eternity No. 38, The Lapis and the Opus. 209 x 183 x 20 cm deep / 82 x 72 x 8 ins deep.

A Part of Eternity No.12, Simόne with the Dying King. — A Part of Eternity No.12, Simόne with the Dying King. 194 x 300,5 x 17cm / 76 x 118 x 6.7 ins. Sold.

Michael-Price, figurative-artist, nude, New-York-artist, Sarcophagus for Srebrenica, natural-mineral-pigments, natural-color, colour, lapis-lazuli, azurite, malachite, cinnabar, realgar, natural dyes, archetypal-nude, archetype, Renaissance, palette, Renaissance-painting-technique, Greek-dynamic-symmetry, Euclid, geometry. — A Part of Eternity No. 20, Sarcophagus for Srebrenica. 90 x 200,5 x 15cm - 35.5 x 79 x 7ins.

A Part of Eternity No. 13, Elysian Fields, Michael-Price, figurative-artist, nude, New-York-artist, natural-mineral-pigments, natural-color, colour, lapis-lazuli, azurite, malachite, cinnabar, realgar, natural dyes, archetypal-nude, archetype, Renaissance, palette, Renaissance-painting-technique, Greek-dynamic-symmetry, Euclid, geometry — A Part of Eternity No. 13, Elysian Fields. 40 x 77cm - 15.75 x 30.3ins.

A Part of Eternity No. 33, Aphrodite's Dream — A Part of Eternity No. 33, Aphrodite's Dream. 104 x 139 15cm / 41.25 x 54.75 x 6ins.

A Part of Eternity No. 47, Father and Child — A Part of Eternity No. 47, Father and Child. 2015. 152.5 x 120 cm / 60.1 x 47.2 ins. Sold.

This small work made from drawings at the Munich Glyptothek further explores the four Jungian archetypes which include the King, the Warrior, the Lover and the Magician. — A Part of Eternity No. 28, Falling Warrior. 40 x 57 cm. 2 40 x 57 cm - 15.7 x 22.4 ins. 2020.

Michael Price, New York figurative artist, Based on my drawings of the Barberini Faun in the Munich Glyptothek Museum over a number of years when I lived in Munich, the juxtaposition here is to represent the male figure as the archetypal lover. — A Part of Eternity No. 2, A Sleeping Faun's Passion. 183 x 162,5 x 15cm deep - 72 x 64 x 6 ins. deep. (repainted 2017-2020)

A Part of Eternity No. 3, Sleeping Faun and Enslaved Dancer — A Part of Eternity No. 3, Sleeping Faun and Enslaved Dancer. 54 x 50 cm

A Part of Eternity No. 34, Aphrodite's Envy was repainted in 2021. The painting is with natural amd mineral pigments in casein distemper and oil on linen on panel. The narrative presents the idea that no matter how beautiful a woman is, namely the goddess of love, Aphrodite, there is always a challenger to envy. — A Part of Eternity No. 34, Aphrodite's Envy. 60 x 54.2 cm - 23.6 x 21.3 ins.

Homage to the Alhambra

Homage to the Alhambra No. 1, In the Beginning. — Homage to the Alhambra No. 1, In the Beginning. 61.5 x 87.5 cm / 24.2 x 34.4 ins. Sold.

Homage to the Alhambra No. 2, Self-Amplifying Loops. — Homage to the Alhambra No. 2, Self-Amplifying Loops. 64.5 x 75.5 cm / 25.4 x 29.7 ins. Sold.

Homage to the Alhambra No. 3, The Truth lies in the Stars. — Homage to the Alhambra No. 3, The Truth lies in the Stars. 61.5 x 95.5 cm / 24.2 x 37.6 ins. Sold.

Homage to the Alhambra No. 4, Contemplating Perfection — Homage to the Alhambra No. 4, Contemplating Perfection. 50 x 117.5 cm / 19.7 x 46.25 ins. Sold.

Homage to the Alhambra No. 5, Arabesque. — Homage to the Alhambra No. 5, Arabesque. 65 x 96 cm / 25.6 x 37.8 ins. Sold.

Homage to the Alhambra No. 6, Expanding Universe. — Homage to the Alhambra No. 6, Expanding Universe. 65 x 104 cm / 25.6 x 41 ins. SOLD.

Homage to the Alhambra No. 7, Waiting for Divine Intervention. — Homage to the Alhambra No. 7, Waiting for Divine Intervention. 60 x 106.4 cm / 23.6 x 42 ins. SOLD.

Homage to the Alhambra No. 8, The Kiss, Parsifal and Kundry, diptych, gold leaf, mineral pigments , oil paint. — Homage to the Alhambra No. 8, The Kiss, Parsifal and Kundry. 120 x 154.4 cm - 47.2 x 60.8 ins. SOLD.

Homage to the Alhambra No. 9, The Geometry of Light. — Homage to the Alhambra No. 9, The Geometry of Light. 66 x 92.5 cm / 26 x 36.4 ins. Sold.

Homage to the Alhambra No. 10, Keeping still, achieving a quiet heart. — Homage to the Alhambra No. 10, Keeping still, achieving a quiet heart. 63 x 88.3 cm / 24.8 x 34.8 ins.

Central Park Venus

Central Park Venus No. 1, The Meditating One, Natural mineral pigments — Central Park Venus No. 1, The Meditating One. 209 x 93.5 cm - 82.3 x 37 ins.

Central Park Venus No. 2, The Balancing One. Natural mineral pigments. — Central Park Venus No. 2, The Balancing One. 209 x 93.5 cm - 82.3 x 37 ins. Sold.

Central Park Venus No. 4, The Carefree One, natural mineral pigments, rocks, crystals, azurite, resin and oil on canvas on panel. — Central Park Venus No. 4, The Carefree One . 209 x 93.5 cm - 82.3 x 37 ins.

Central Park Venus No. 5, The Sun-Worshipping One, natural mineral pigments — Central Park Venus No. 5, The Sun-Worshipping One. 209 x 93.5 cm - 82.3 x 37 ins.

Central Park Venus No. 6, The Reflecting One. — Central Park Venus No. 6, The Reflecting One. 209 x 93.5 cm - 82.3 x 37 ins.

Quartets

A Korean Quartet. Blue Bamboo, Venus of Un-joo-sa, Guardian of Kyung Bok Goong, Green Tea. Mineral pigments on panel — A Korean Quartet. Each panel 175 x 78.2 cm - 69 x 30.8 ins. Titles left to right - Blue Bamboo, Venus of Un-joo-sa, Guardian of Kyung Bok Goong, Green Tea. Private Collection.

Icons

Icon No. 1. 1998. Chinese ink, natural and mineral pigments in oil on canvas. 68 x 42 cm / 26.7 x 16.5 ins.

Death and Transfiguration, mineral pigments, gold leaf, oil paint — Death and Transfiguration. 2009. Private Collection

Icon No. 2. 1999 - repainted 2020. 57.5 x 40.5 cm - 22.6 x 16 ins.

Chromatic Spaces / Landscapes

Chromatic landscape, Roussillon, Provence, France, natural mineral pigments, azurite, cavansite, malachite, cinnabar, Roussillon brown, red and yellow ochres. — Chromatic landscape 2023, Roussillon. 48.8 x 60 cm / 19.2 x 23.6 ins.

Chromatic Spaces No. 21, Mont Sainte-Victoire — Chromatic Spaces No. 21, Mont Sainte-Victoire. 60.5 x 96 cm. / 23.8 x 37.8 ins. 2018. Private Collection.

Chromatic Spaces No. 20, Blue Storm — Chromatic Spaces No. 20, Blue Storm. 51.1 cm x 76.2 / 20.1 x 30 ins. 2017.

Chromatic Spaces No. 15, Korean Landscape. — Chromatic Spaces No. 15, Korean Landscape. 60 x 85 cm / 23.6 x 33.5 ins. 2010.

Chromatic Spaces: Nos. 1-14 and 16-19 SOLD.

Chromatic Spaces No. 1, Homage to Cezanne

Chromatic Spaces No.2, Homage to Cézanne, Mont Sainte Victoire.

Chromatic Spaces No. 3, Homage to Cézanne, Mont Sainte-Victoire.

Chromatic Spaces No.4, Homage to Cézanne, Monte Sainte-Victoire.

Chromatic Spaces No. 5, Mont Sainte-Victoire (the other side).

Chromatic Spaces No. 7, Blue Tree and Mont Sainte-Victoire.

Chromatic Spaces No. 8, Roussillon.

Chromatic Spaces No. 9, Homage to Cézanne, Mont Sainte-Victoire.

Chromatic Spaces No. 10, Red Sky over Mont Sainte-Victoire.

Chromatic Spaces No. 12, Korean Landscape (Surabul)

Chromatic Spaces No. 13, Korean Landscape (Bookak)

Chromatic Spaces No. 14, Mont Sainte Victoire

Chromatic Spaces No. 15, Korean Landscape

Chromatic Spaces No. 19, Korean landscape, Jirisan

Chromatic Spaces No. 21, Mont Sainte-Victoire

Details:

No.1, Homage to Cézanne, Mont Sainte-Victoire. 53 x 75 cm / 20.9 x 29.5 ins. No.2, Homage to Cézanne, Mont Sainte Victoire. 53 x 75 cm / 20.9 x 29.5 ins. No. 3, Homage to Cézanne, Mont Sainte-Victoire. 53 x 75 cm / 20.9 x 29.5 ins. No.4, Homage to Cézanne, Monte Sainte-Victoire. 39 x 56 cm / 15.25 x 22 ins. No.5, Mont Sainte-Victoire (the other side). 80 x 242.5 cm / 31.5 x 95.5 ins. No. 6, Homage to Cézanne, Mont Sainte-Victoire. 60 x 85 cm / 23.6 x 33.5 ins. No. 7, Blue Tree and Mont Sainte-Victoire. 138 x 185cm / 54.3 x 73 ins. Chromatic Spaces No. 8, Roussillon. No. 9, Homage to Cézanne, Mont Sainte-Victoire. 42 x 59 cm / 16.5 x 23.2 ins. Chromatic Spaces No. 10, Red Sky over Mont Sainte-Victoire. 100 x 123 cm / 39.4 x 48.4 ins. No. 11, Oppède le Vieux. 42 x 128 cm / 16.5 x 50.4 ins. 2006. No. 12, Korean Landscape (Surabul). 98 x 85 cm / 38.6 x 33.5 ins. 2010. Chromatic Spaces No. 13, Korean Landscape (Bookak). 98 x 85 cm / 38.6 x 33.5 ins. 2010. No. 14, Mont Sainte Victoire. 65 x 95 cm / 25.6 x 37.4 ins. 2010. No. 15, Korean Landscape. 60 x 85 cm – 23.6 x 33.5 ins. 2010. No. 16, Korean Landscape (near Busan). 60 x 171 cm / 23.6 x 67.3 ins. 2011/18. No. 17, Korean Landscape, Mount Sorak. 90 x 109 cm / 35.4 x 43 ins. No. 18, Jodo (South Korea). 83.7 x 110 cm / 33 x 43.3 ins. 2015. No. 19, Korean landscape, Jirisan. 58.7 x 88.7 cm / 23.1 x 34.9 ins. 2016. No. 21, Mont Sainte-Victoire. 60.5 x 96 cm. / 23.8 x 37.8 ins. 2018.

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